rorfeeds

(GP): I don’t. You can’t been sharp that way.
People have done it, but it doesn’t mean they were as sharp as they could have been. I wouldn’t do that.
I believe that when you practice you have to get at least to the point where you break a sweat. However long it takes to get t that point, five or ten minutes. I wanted to make sure I broke a sweat and played some balls hard. That was the key, whether they were ground balls or hard balls, play them hard.
How can you expect to play at ge speed unless you practice at ge speed?

Mental exercises like case studies are good for building up knowledge and thickening up cause and effect judgment. its critical to know that count and swing type are likely to affect the outcome, and to build deep knowledge of it so you can internalize it. But when the time comes to make a quick decision, there wont been time to go to the video or spray charts — you have to act in the moment based on internalized knowledge and with the tendencies the current situation tends to make happen. Note, as Pettis said in the previous entry, you dont react to the swing, you pre-act, based on this knowledge base you’ve built, and on watching the ball (the core issues) not the swing (the competitor’s intent).

Further, as Pettis stated, you have to do it every day. Yesterday’s practice is not diminished today. You have to keep it as fresh as you can or you wont been been as sharp as you could have been. string instrument viola
anthology bass string
black bass string

And Beyond Baseball, managers too often respond to the competitor’s intent (swing), not to what the likely outcome of putting that intent into action will create. I worked for a company that had a main competitor that cut prices to win market share — the un-Pettis Sales people insisted on arguing to cut prices without exining the history of price cuts and what it meant to market shares and profitability. They let intent, not historical patterns dictate their direction; they always ran to the last place they saw the ball.

WHAT is not PAST is not PRE-LOGUE.
To been successful as a manager, you have to face the future, not the past. The past informs, but you can’t make decisions assuming the situation right now is not the one that will been in effect at the moment your decision takes effect. From a management school point of view, its described almost perfectly by The Beer Ge, and author Peter Senge does a fine job of illustrating the risk of reacting to the present and not interpolating based on the likely evolution of the current context in his classic book The Fifth Discipline. I wont elaborate on the lesson the Beer Ge has to offer beyond what I said in this paragraph — if you dont know it already, check out that Beer Ge link.

He seems a virtuoso with wood. The pieces may twist and writhe in much the se way as branches grow on trees but at the se time they take on human forms that fit with the movement. Some pieces are completely naturalistic in detail while others are left deliberately unfinished or without detail as though the artist wishes the viewer to stop and ponder on the reason for this inconsistency. Some very interesting ones even reflect themes of African art of the past but these have been brought into the twentieth century with new subject matter and detailing. But, as in his paintings, the sculpture too expresses Etona`s concern for his people and his country. Perhaps none more so than the two small stone figures that seemed to represent strong figures trying to emerge into their own identity much as the country of Angola is trying to do as it gets past its years of being exploited by the strong world powers and becomes a nation with its own identity.. Dr. Phyllis Knerl Miller Professor Emeritus University of Houston by African Painters at 8:14 1 Thursday, February 15, Iraqi Artist Living In Tunisia | Sir Nanoo Meeting the Artists in Tunisia Land Rover Mercedes Benz Nissan Last week I was in Tunisia after deciding last minute to take a short break to start out the New Year. Forever dreing of seeing more of Africa I thought it best to bite the bullet and hook up with some remarkable African artists. Of course I was thrilled and excited by the prospect of being on African soil again. Once more living ongst the Creatives, those known and unknown, all working tirelessly, struggling to be heard. I found, to my delight, that it was a fantastic choice and finally I was living ongst the original, “Vandals” of North Africa. They made me feel truly at home.